In keeping with our long-standing tradition, AbelCine has released our standard suite of scene files for the Sony PXW-FX9. The names of these scene files will be familiar to anyone who has been downloading and using them with other popular cameras over the years. We have done our best to keep the looks faithful to the original files created some 15 years ago.

In our tradition of providing scene files for the latest professional cinema cameras, we have created a collection of scene files for the Sony PXW-FX9. These files are based on the looks AbelCine has been creating for many years and are designed to fit a variety of common shooting scenarios.

Recently, I worked with Panasonic to create scene files for the EVA1 based on the VariCam LUT Library. In this blog, I take you through loading the files into the camera. Then, I show how to save and name them. As you can see, the process is fast and easy. You will be up and working in no time.

The Sony FS7 II is now shipping, and many of you have asked about our custom scene files. While it has the same sensor as it’s predecessor, the FS7 II has a different scene file structure; scene files from an original FS7 cannot be directly uploaded into a FS7 II. Thus, we recreated our popular scene files for the FS7 II and compiled them in this blog post.

As we've done for so many cameras before, we're back again with more scene files. This time I've tackled the new VariCam LT, matching looks to our tried and true JR45CINE and JR45VID (I even used an HPX2700 to match back to), as well as a high saturation look, and even an ALEXA look.

After many requests, we've finally put together several custom profiles for the C300 Mark II, including some of our most popular looks such as ABNORM, JR45CINE, and EOSMATCH.

The Sony FS5 has become quite popular, and we've had a lot of requests for our custom scene files lately, so we've created looks for this camera to match our previous looks.

Just as we have done for other cameras in the past, we've put together several custom profiles for the C100 Mark II. Because Canon has updated the image processing in the C100 Mark II, the settings needed to match our original scene files on the C100 Mark II are a little different than the ones for the original C100.

The Arri AMIRA is known to be a great looking camera right out of the box but we often get requests to create matching look files for the camera. As you probably know, we make scene files for various cameras including the Sony F5 & F55 to the Canon C100 & C300 cameras. I've created some matching profiles that you can load into the Arri AMIRA or apply in post.