Sony’s newest full-frame CineAlta camera, BURANO, came to market earlier this year to great fanfare and robust sales. The combination of an 8.6K sensor, similar to the one found in Sony’s flagship VENICE 2 CineAlta camera, combined with a smaller, lighter body and a compelling complement of codecs, has proven popular with a broad swathe of customers.

For my latest blog, I dive into discovering the powerful capabilities of combining Sony's FR7 PTZ Camera and the Chrosziel CDM-SFR Universal Zoom Motor.

ZEISS today unveiled their new Nano Primes, a line of fast, compact, full frame cinema lenses initially available for Sony’s full frame E-mount with other shallow flange depth mounts planned to come later. Equally at home on Sony mirrorless cameras or their dedicated Cinema Line bodies, these new primes are offered in a classic selection of focal lengths: 18mm, 24mm, 35mm, 50mm, 75mm, and 100mm. All lengths open to a fast T1.5 maximum aperture and feature common geared focus and iris ring locations – as well as common 95mm fronts – for quick and easy lens changes. The lenses can also accept an M86x1 (86mm standard) front screw-in filter, natively.

Today RED updated their flagship camera bodies – V-RAPTOR and V-RAPTOR XL – to new ‘[X]’ versions featuring their latest 8K VV sensor and adding a global shutter, the first in a large-format camera system. These new [X] versions combine advancements from across the RED ecosystem to create twin powerhouses of frame rates, low-light performance, and resolution, housed in their battle-tested, modular V-RAPTOR and all-in-one V-RAPTOR XL bodies. Additionally, RED has introduced a new first-party electronic viewfinder for their DSMC3 cameras, which connects with a single cable and provides control of shooting frame rate, shutter, white balance, and ISO directly from the unit.

Storied optics company Cooke’s latest line of cinema lenses, the compact SP3 Primes, were introduced in Fall 2023. Employing a user-serviceable interchangeable mount system, the full-frame lenses ship in Sony’s E-Mount with Canon RF available as well. Initially, five focal lengths are offered: 25mm, 32mm, 50mm, 75mm, and 100mm. Averaging under 2 pounds and 4 inches in length each, they are Cooke’s most compact Full Frame lenses.

In our latest At the Bench video, Jason Zapata, AbelCine's Director of Integration, and I take a look at Canon's CR-N700 PTZ camera. We discuss the CR-N700's newest firmware capabilities, including auto tracking and the XC protocol support.

In our latest At the Bench video, I talk with Jesse Foster, VP of Product Development at MultiDyne, about some of their latest products, as well as the recent announcement of AbelCine as MultiDyne’s Platinum Partner for Cinematic Broadcast Solutions in the US.

Jeff Lee, AbelCine's Director of Education & Product Specialization, sits down with JC Sciacca, our Integration Design Engineer, to discuss the practical applications of the Sony FR7. They discuss use cases for this full format, interchangeable lens, PTZ camera with internal recording.

AbelCine teamed up with NYC-based director and cinematographer Theo Stanley for a brief study of the similarities and differences between TRIBE7's BLACKWING7 B-Tuned (Bespoke) and S-Tuned SKIN 2000 prime lenses.