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Blog & Knowledge

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Intro image for article At the Bench: Linking RAW Files to Proxy Files
Tutorials & Guides
It is now common for digital cinema cameras to record a RAW file as well as a proxy. Proxy recordings can be loaded to a laptop and then into NLE programs, which is a quick and easy way for production to check on composition and performance. Additionally, proxies can be used to select takes and string out an edit. This streamlines the post process as only selected takes are color corrected.
Intro image for article At the Bench: Canon C200 Cinema RAW Light Workflow (Part 2)
Tutorials & Guides
Canon's C200 employs a new recording format, Cinema RAW Light, that allows users to record DCI 4K RAW files directly to the camera's internal CFast card slot.
Intro image for article NAB 2017: Blackmagic Design
Tech News
I'm over at the Blackmagic Design booth talking with Jason Druss about their new affordable control surfaces for DaVinci Resolve: the Resolve Mini and Resolve Micro panels. Both panels feature a subset of the functionality available on the full-size Advanced panel targeted but at different user levels.
Intro image for article Creating and Loading 3D LUTs on the ALEXA Mini
Tutorials & Guides
The ALEXA Mini from ARRI is a versatile and flexible camera body with a compact form factor and outstanding image quality.
Intro image for article NAB 2016: AbelCine Training Presentations
Tech News
In addition to manufacturer Tech Talks at our NAB booth this year, we also presented short AbelCine training sessions every day.
Intro image for article How to Import C300 Mark II Footage in Avid, FCP X, Premiere & Resolve
Tutorials & Guides
Just over three years ago, I wrote up an article on how to import Canon C300 footage into various NLEs. The C300 Mark II has been out for some time now, but it's just recently that all the major software applications have supported it.
Intro image for article Canon Releases New 3D LUTs for the C300 Mark II
Tools, Charts & Downloads
Canon recently released two packages of 3D LUTs for use with Canon Log and Canon Log 2 on the C300 Mark II. The LUTs are being made available by Canon in .cube format, which is suitable for use in Blackmagic Design's DaVinci Resolve and many other programs.
Intro image for article At the Bench: Importing LUTs into Sony FS7
Tutorials & Guides
In a previous blog, Andy showed us how to create LUTs using Sony's RAW Viewer software and then import them into the Sony F5 & F55. You can use the same workflow in Sony RAW Viewer to create and import LUTs to the FS7 -- but what about when you want to use a LUT that was not created by Sony software?
Intro image for article ARRI ALEXA XT Open Gate & Resolve Support
Tech News
The ALEXA XT has the same size sensor as previous models, but with its increased processing power, it can now record the full sensor area all at once.