Canon has definitely made a commitment to bringing new features to their EOS line of cameras with various firmware updates. For users of the C100 and C300, one of the most useful of these is the addition of a Wide DR Gamma.

Jem Schofield, of theC47, has presented a number of popular classes in our NY Learning Point, and now he's bringing that expertise to Canon's newest tutorial series on the C100. In his latest video tutorial, Jem takes an in-depth look at a topic that we often get questions about, specifically how to properly use a waveform monitor. He also discusses gamma and custom Picture Profiles, so make sure to watch the full video above.

Canon has had great C300 and C500 simulators available on their site for a while now, allowing users to explore the full menus and function buttons on the camera.

Over the last several months Canon has been announcing updates to their EOS Cinema line of cameras. Canon has definitely shown a firm commitment to upgrading their cameras in response to user feedback. With so many recent updates, and more on the way, we wanted to put together a quick timeline for each of their cameras.

In one of my previous posts, I discussed using the Canon C100 with the Atomos Ninja 2 recorder, but what I didn't touch on was how to rig up this combo for real-world shooting. Kitting cameras is always challenging because every camera operator shoots a bit differently. When building a camera rig, it is essential to get the ergonomics right to ensure operator comfort and ease-of-use.

Canon has Look Up Tables (LUTs) on their website for their Cinema EOS line of cameras – the C100, C300 and C500. These LUTs are designed to convert from Canon Log to Rec709 or Cineon. Originally, they were published with only the C300 in mind, but they were later updated to work for the C100 and C500 as well.

The Canon C100 is very popular with run-and-gun operators in the documentary world, and Canon recently announced an upgrade for the C100 that allows for continuous tracking autofocus with Canon's entire EF lineup. The upgrade will also increase the speed of the camera's existing one-shot autofocus by around two times and provide an AF lock, which will enable the user to change the image framing while keeping the desired focus point, a feature that is especially useful for run-and-gun filmmakers.

One of the advantages of the C100 sharing a sensor with the C300 and C500 is the interoperability between scene files. While the C300 and C500 can share profiles with a bit of simple computer know-how, if you want to use those same profiles on the C100, you'll have to manually copy the settings. I took our C300 scene files and copied the settings to the C100 - our vectorscope confirmed that the profiles are nearly identical, although the C100 tends to be slightly less saturated.

With the capability of the Canon C100 and the newly updated 5D Mark III to output uncompressed video with 422 color, the two cameras can both be set up with the Ninja 2 recorder from Atomos.