Canon has been busy updating their 3D LUTs (Look Up Tables), but they are still using a variant of the 3D '.cube' format that can stymie many popular NLEs (Non-Linear Editing systems) such as Adobe Premiere Pro CC. To help remedy this situation, we've created more widely compatible versions of these LUTs, as well as some creative LUTs, all of which you'll find below.

Canon’s Cinema EOS camera line has matured to include options for all levels of production and all budgets. There are single-operator, handheld cameras like the C100 Mark II and the new C200, with its ability to shoot Canon’s Cinema RAW Light internally. At the higher end are models oriented to feature production: the C700 and the new full format C700 FF, both sporting flexible shooting and recording modes and the ability to send Cinema RAW to an on-board Codex recorder. In the middle sits the C300 Mark II with its class-leading documentary features and high-quality internal codec.

It was a busy NAB for our tech specialists with visits to the most interesting booths at the show, as well as Tech Talks and training workshops on the AbelCine presentation stage. With so much to cover, we wanted to round up all of our NAB blogs and presentations in one place for you.

Just as we have done for other cameras in the past, we've put together several custom profiles for the C100 Mark II. Because Canon has updated the image processing in the C100 Mark II, the settings needed to match our original scene files on the C100 Mark II are a little different than the ones for the original C100.

One of the biggest crowd pleasers at the AbelCine booth this year was the Freefly MIMIC, especially as attendees saw how intuitively it controlled camera framing.

Back in October Canon announced the C100 Mark II, the successor to the original C100. While keeping the same Super 35 sensor as the C100, the new model offers a number of welcome upgrades to image quality and functionality. We're now starting to see the first few shipments of the Mark II, so in the video above, I spend some time exploring these updates.

The Canon C100 and C300 have had One Shot Auto Focus as a factory default feature for some time. As long as users had an auto focus capable lens, auto focus could be activated with one of the assignable buttons.

Canon has just unveiled the successor to their popular C100, the EOS C100 Mark II. This new camera offers several valuable modifications and upgrades to both image quality and functionality.

Recently, AbelCine organized a focus group with select cinematographers and specialists from Canon to review the new Dual Pixel Auto Focus (DAF) upgrade for the C300 camera. The consensus was that for $500, this is a feature worth many times its cost, as it expands the universe of the types of shots that can be achieved.