AbelCine's ARRI Applications series continues with a look at the mixed reality workflow of RDM. Discover how this studio utilizes the ARRI ALEXA Mini LF, Signature Primes, and SRH-360 stabilized remote head, all riding atop the Motion Impossible AGITO robotic dolly, on a cutting-edge virtual production stage.

The ARRI SRH-3 and DEH-1 are unique wireless tools that are more relevant than ever in today's remote production world.

Sachtler's new generation of fluid heads, the aktiv line, is here. These heads maintain the reliability and operating experience that we have come to know and love.

Recently, I talked by phone with Ari Robbins, a well-known Steadicam operator. He shared insights about his career, incorporating new tools, and how ARRI’s TRINITY and MAXIMA inspire him to innovate new techniques that allow him to achieve the Director and DPs' vision.

Andrew Theiss is a Steadicam Operator based out of Columbus, Ohio. After deciding on this career path, he purchased an ARRI TRINITY 5-Axis Hybrid Stabilizer. Recently, he talked to us about why he chose the TRINITY and how he’s been putting it to good use.

In this video, I set out to experiment with different ways of moving the camera in order to see how each compare in a single scene. We shot a scene with a dancer in four different ways: on a tripod, on a slider, handheld, and on a gimbal (the MōVI Pro). What I discovered was that the different methods give very different effects and there's a place for them all, as long as you understand the relative strengths and weaknesses of each.

Another tripod in the flowtech line has arrived from Sachtler. The addition of an option with a 100mm fixing brings the flowtech innovations to a new range of camera systems and productions.

In this video, I give an overview of the new Miller CX line of fluid heads, along with a practical demonstration of how to use their CB Plus 16-step counterbalance system.

On Saturday, October 7, we held our Chicago Cinema Tech Expo. We expanded the event into a new space so that we could include more gear, workshops, panels, and unique community programming. Over twenty manufacturers were in attendance, with booths filling up the large ballroom at Cinespace. Over the course of the day, our technical specialists were able to visit the booths and get a closer look at some of the most exciting gear that was on display.