Ahead of NAB, Sony has announced new AXS media for the AXS-R5 Raw recorder, which is designed to work with the F5, F55, and the FS700. These new cards have been shrunk in size from the original AXS 512 GB card (AXS-512S24), and are now the size of standard SxS cards.

Last Friday Panasonic made a big pre-NAB announcement - they will be releasing two new versions of their popular VariCam camera. We have seen various versions of what Panasonic has been working on over the last couple of years, including prototypes of both Super-35mm cameras and high-speed 2/3" cameras. Now it seems that Panasonic has decided to make a camera system that fits both needs.The new cameras feature an interesting modular design, where the camera head can be separated from the recording module. The two camera modules they revealed? The VariCam 35 and VariCam HS.

Over the last several months Canon has been announcing updates to their EOS Cinema line of cameras. Canon has definitely shown a firm commitment to upgrading their cameras in response to user feedback. With so many recent updates, and more on the way, we wanted to put together a quick timeline for each of their cameras.

Have you ever found yourself wondering about the image a particular camera and lens would produce? Well, if you have your phone on you, there's now an easy way to find out. DIRE Studio has released an app called Mark II Artist's Viewfinder, which has the ability to preview and capture hundreds of camera and lens combinations.

Today, Canon announced an optional update for the C300 that will add support for the Dual Pixel Autofocus function. This update was also introduced for the C100 in November.

One of the most popular blog posts I've written was a guide to Applying LUTs to Log Footage in various NLEs. Since I posted it, a lot has changed in the popular NLEs; the tools used to apply Look Up Tables are now included in many of them, and they are generally better than ever. Here is a break down of how to apply LUTs to Log footage (or any footage) in Final Cut Pro X, Adobe Premiere Pro CC, Avid Media Composer 7, and Resolve 10

In my last video on the Sony F5 and F55, I showed how firmware version 3.0 adds many new features to the cameras including a 2K Center Scan mode, which is just the right size for use with Super 16mm lenses.

Now that the Blackmagic Production Camera 4K is shipping, we thought it would be a good time to follow up with our lens and accessory guide for the newest member of the Blackmagic family. With a Super 35 sensor capable of recording a QFHD (3840x2160) or HD Cinema DNG raw or ProRes files and a global shutter, the Production Camera 4K should prove to be an invaluable tool to have in your camera arsenal.

Arri's website has a great set of resources for anyone interested in working with the ALEXA / ALEXA XT, from a menu simulator to downloadable footage, to videos explaining how to work with ARRIRAW. One of the best of these resources is their comprehensive ALEXA XT FAQ.