AbelCine teamed up with ARRI and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop.

Sony recently unveiled an exciting new camera – the FR7, part of their Cinema Line – that combines the DNA of their Alpha 7-series of full-frame mirrorless cameras with the flexibility, precision and control of a remote-controlled studio camera.

Given the inordinate amount of change that rattled every industry with the arrival of COVID, the entertainment industry had to pivot as well, while continuing to provide entertainment for a world that was on lockdown. No longer allowed to be out in the world, programs like The Daily Show with Trevor Noah strove to continue to bring the world to viewers at home.

Jeff Lee, Director of Education & Product Specialization, and JC Sciacca, AbelCine's Integration Design Engineer, take a closer look at Canon's CR-N500 Camera, discussing its high quality imagery and performance in PTZ integration applications.

AbelCine recently supported the live recording of pop sensation Adele’s One Night Only television special, which aired simultaneously on CBS and Paramount+ in November 2021. Directed by Paul Dugdale, who received the DGA award for Outstanding Directorial Achievement (Variety – Specials) the live-to-tape concert special debuted new material from the hit singer’s latest album, 30.

We recently had the chance to test Sony's new FE 70-200mm F2.8 GM OSS II lens on the FX3 Full Frame Cinema Camera.

We’ve known it’s been coming for some time, and now ARRI’s new 4K Super 35-format camera is finally here – meet ALEXA 35. The specs are impressive – a new 4K sensor, 17 stops of dynamic range, new REVEAL color science, and much more.

Canon recently announced the launch of a new line of full frame (aka full format) zoom lenses as part of their EF Cinema Lens lineup. These new lenses, called the Flex Zoom series, were developed to provide cinema-style productions with a full frame option leading to greater workflow efficiency. The first lenses in the series are the CN-E 20-50mm T2.4 L F/FP wide-angle zoom lens and the CN-E 45-135mm T2.4 L F/FP telephoto zoom lens. Both lenses are available in EF mount (the 'F' versions) or in standard PL mount (denoted 'FP').

Motion Impossible has just announced the new MagTrax drive-end upgrade for their AGITO robotic camera dolly. The MagTrax guidance system enhances existing AGITO Sports drive-ends, enabling operators to follow a magnetic strip laid on a surface, underneath a carpet, or embedded within a set. The magnetic strip can be arranged in various creative ways that are not possible with conventional dolly track.