In this episode of my 4K for $10K series, I cover the Canon C200. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS5M2, or as it's more commonly known, the FS5 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

RED's line of digital cinema cameras features several different sensors, each offering unique features and capabilities to the filmmaker. In this video, I discuss how the GEMINI can be the right choice for many different types of production.

In this episode of my 4K for $10K series, I cover the Blackmagic Design URSA Mini Pro 4.6K. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

The ARRI wireless lens control ecosystem continues to grow and get stronger with new capabilities and technology. The ARRI cforce mini RF motor, Master Grips, WCU-4 and various other accessories are all designed to work in concert, giving you a wide range of options for wireless camera control.

In this the first episode of my 4K for $10K series, I cover the Panasonic AU-EVA1. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

Quasar Science has created some of the most versatile LED lighting for the industry, packaged in the familiar form factor of what would have formerly been a flourescent tube. In this video, I show what makes their Q-LED Rainbow (RGB) and Crossfade (bicolor) fixtures so unique and how they can be used to create different looks, from a standard interview setup to a dramatic "fashion motion" editorial shoot.

Every once in a while, I come across a product that solves such a basic need on set that I wonder how I got along without it. The FLEET-Q4FF Charger from CoreSWX is one such product. If you regularly work with the MōVI Pro gimbal, then you are no stranger to the rather unsightly tangle of cables and power bricks of the stock battery chargers. While one of the big upgrades to the MoVI Pro from the older M10 and M15 is the improved battery system, including the charger, there's always room for improvement.

Another tripod in the flowtech line has arrived from Sachtler. The addition of an option with a 100mm fixing brings the flowtech innovations to a new range of camera systems and productions.