I stopped by the Element Technica booth to take a look at their new lens control system and motors. Like any wireless FIZ, the Element system consists of a wireless transmitter and receiver, but Element has thrown in a few unique features that really make this standout.

If you're reading this blog, then you're certainly familiar with the Vitec Group - chances are you own several pieces of gear from one of the many companies they represent.

When the Sony FS700 was first released, Sony announced that a 4K Raw recording option would be forthcoming.

The name Mole Richardson is certainly no stranger to the production environment, and you're likely to find some Mole lights on any set you visit.

I was able to stop by the Tiffen / Steadicam booth at NAB 2013, and one of the standout products was the new Steadicam Solo.

This year at NAB, Angenieux debuted its first anamorphic lens - the Optimo Anamorphic 56-152mm 2S Zoom.

I stopped by the Atomos booth to take a look at their newest camera-mounted recorder, the Samurai Blade. It features a 5" 1280x720 IPS panel, as well as built-in waveform and vectorscope tools.

This year at NAB, Panasonic previewed the VariCam 3, an update to the venerable VariCam family, and I got a chance to stop by Panasonic's booth to take a closer look. Evolving from the original tape-based VariCam to the popular P2 camera, this third-generation VariCam adds the ability to do 120p natively.

When I visited Arri's NAB booth, I got a chance to speak with Marc-Shipman Mueller, Product Manager Camera Systems at Arri, about the highly-anticipated ALEXA XT.