Get a closer look at the making of Police Dive, a short documentary directed and filmed by Teresa Carante, one of our 2024 Fresh Perspectives in Cinematography grantees. Police Dive focuses on Sergeant Mike Berry, one of the world's leading underwater investigators. Based at the Virginia State Police and with over 40 years of experience as a public safety diver, Sgt. Berry has pioneered innovative retrieval techniques and managed high-stakes diving investigations across the globe.

In our most recent ARRI Applications episode, we catch up with Director of Photography David Lanzenberg to talk about his impressions of the ARRI ALEXA 35 and ARRI Signature Primes in a virtual production environment. Lanzenberg also discusses his approach to filmmaking and how advances in technology influence his creative process.

ARRI recently released SUP 1.2.1 for the ALEXA 35, adding several new features and user requests.

Emerson College, the prestigious institution known for its exceptional programs in communication, the arts, and the liberal arts, recently purchased five ARRI ALEXA 35 packages from AbelCine. In addition to scholarly media studies, the Department of Visual & Media Arts emphasizes practical learning on state-of-the-art technology.

For her upcoming feature, Grassland, cinematographer Veronica Bouza chose the new ARRI ALEXA 35. The production filmed both indoors and outdoors on location, putting the camera through its paces in various configurations, ranging from handheld to tripod to Steadicam.

Dreamforce is the annual conference for Salesforce, the customer relationship management (CRM) software service, held in San Francisco. Established in 2003, Dreamforce is a yearly event designed to unite the global developer community and share success stories. Due to the health and travel restrictions of the COVID-19 pandemic, the September 2021 Dreamforce was reconceived as a hybrid event with some in-person attendees and a massive streaming audience.

I recently sat down with cinematographer John Matysiak to discuss his experience shooting the tense and beautiful western Old Henry. In this wide-ranging conversation, we talked about his creative inspirations, as well as his technical approach to the film, which was captured on the ARRI ALEXA Mini.

As ARRI’s newest digital cinema camera, ALEXA 35, begins to make its way into the hands of more and more filmmakers, we thought now would be a good time to present a summary of ARRI’s new REVEAL color science, which includes hardware, firmware and software features – some of which are specific to the new camera and others that can be leveraged with recent ARRI cameras like the ALEXA LF and ALEXA MINI LF.

AbelCine teamed up with ARRI and Dylan George to explore the application of ARRI Signature Zooms in the world of high-end fashion production. Two-time Academy Award-nominee Djimon Hounsou lent his commanding presence and undeniable charm to the shoot, which was directed by Kwaku Alston and shot by DP Bartosz Nalazek, PSC, with color grading by Picture Shop.