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Intro image for article Picture Profiles for the Canon C500
Tools, Charts & Downloads
Since the Canon EOS C300 and C500 share the same sensor and offer identical internal recording options (MXF), many folks have asked us if our C300 custom picture settings are compatible with the C500. After investigating, we've discovered that with a little bit of work, the picture profiles are interchangeable between cameras.
Intro image for article AbelCine EXPO Highlight: Filters for Digital Cinema
Tutorials & Guides
On November 20, AbelCine held the first event in its new EXPO series: Filters for Digital Cinema. Tiffen, Schneider Optics, and Formatt participated and scores of clients attended or watched via Livestream. One of the more significant discussions was on the topic of IR pollution control.
Intro image for article Alphatron Quick Tip: Updating Firmware
Tutorials & Guides
Recently, Alphatron released firmware version 0.5 for their Alphatron EVF electronic viewfinder.
Intro image for article At the Bench: Canon 15.5-47 T2.8 Cinema Zoom
Tutorials & Guides
Canon has paired its recently released lightweight cine zoom, the CN-E 30-105 T2.8, with the closely matching CN-E 15.5-47 T2.8 Cinema Zoom. Like its sister, the 15.5-47 weighs just 4.85 lbs. Both lenses also share a 300-degree rotation on the focus scale for many precise marks, 11-blade irises, 114mm front diameters for fitting to common matteboxes, and 105mm front filter threads for use when a mattebox is not an option.
Intro image for article At the Bench: Products from Kessler Crane
Tutorials & Guides
Kessler Crane is surely a household name to many of us in this industry and AbelCine is happy to announce that we are now an official reseller of Kessler products! What does this mean for you? Well, most importantly, you can come in to our locations in New York or Burbank and actually put your hands on the gear.
Intro image for article What Exactly is Canon Raw?
Tutorials & Guides
The new Canon C500 is just hitting the streets, offering both internal 50 Mbps 422 recording, as well even higher quality outputs. The camera can output HD & 2K in 4:2:2 up to 120p, or 4:4:4 up to 60p, and uncompressed 4K Raw data up to 60p and 120p at half vertical resolution.
Intro image for article Sony's PMW-F5 and F55: Defining CFA
Tutorials & Guides
In the descriptions of the new PMW-F5 and PMW-F55 cameras, Sony notes that the F55 sensor shares the same CFA as its big brother, the F65. Some people may confuse this to mean that the F55 shares the same sensor as the F65, but that is not the case. So what is a CFA and how does it differ between the F5 and F55?
Intro image for article At the Bench: Sony NEX-EA50 Camera
Tutorials & Guides
Recently, I got a chance to check out the new NEX-EA50 camera from Sony. This new member of the NEX lineup is sort of the little-but-bigger brother of the FS100. It has many of the same features as the FS100, but it is designed to go on your shoulder with a unique shoulder pad design.
Intro image for article Making 4K Plug & Play
Tutorials & Guides
The latest issue of HD Video Pro magazine features an article I wrote about the future of 4K video solutions. We have all heard of 4K RAW solutions, but there are those of us who want the 4K resolution, without some of the unique challenges of RAW. In this article I describe how the Canon C500 can be used with an external recorder like the AJA Ki Pro Quad to record and output 4K video.