Convergent Design has announced the Gemini RAW Recorder. It features the same characteristics as the Gemini 4:4:4 but with more processing power. The unit can record up to four inbound HD streams at the same time.

The Codex Onboard S Recorder can record 4:2:2/4:4:4 10/12-bit Uncompressed HD onto a removable, solid-state Capture Drive (240GB or 480GB), as well as a single channel over 3G-SDI.

We stopped by the Sound Devices booth to check out the latest in their line of PIX recorders. The PIX 260 has much the same function as the PIX 240 and PIX 220, but it's designed to fit into a rack.

Recently, a colleague of mine asked about how to set up the Ki Pro Mini for use with the Canon C300. With the latest firmware (v3.0), the Ki Pro Mini can be triggered to record via the C300, as well as record in 24p (23.976 to be exact).

In the third part of my S-Log series, I took the Sony F3 outside on a nice bright day to show what S-Log can do.

Many productions today consider the archiving of acquisition media something to be dealt with after completion of the work. Other projects consider the backing up of original data onto additional hard drives as their archive. These, however, do not utilize the organizational and long-term advantages of a proper archival system.

We're often asked how to make the uniquely-shaped Sony NEX-FS100 production ready. While we've discussed several options in our FS100 Lenses and Accessories article, I thought it would be helpful to illustrate a few of the options with a short video.

Panasonic's new AF100 camera is a full-featured video camcorder with a large 4/3rd size sensor. Panasonic designed the AF100 to fit many different production needs and to be highly customizable. In this article, we present the many different lenses and accessories that can be used with the camera.

We created this quick glossary as a useful reference for understanding some of the common terms used in our blogs.