Erik Naso from Newsshooter visited the Blackmagic Design booth to hear more about the new Blackmagic Pocket Cinema 4K camera.

Matt Allard from Newsshooter talks to Mike from ARRI about the new features in firmware version 4.0 for the ARRI Skypanels. Topping the list is an innovative color mode, Extended Color Control, that allows DPs and Gaffers to intuitively dial in colors using a matrix-like interface familiar to those who’ve done camera shading or painting. Color temperature and saturation can also be controlled in this mode.

In this video, Newsshooter's Matt Allard gets all the details on Apple's new ProRes RAW codec from Atomos founder and CEO Jeromy Young. Apple's ProRes RAW is an exciting new compressed RAW codec, which was just debuted exclusively through Atomos' Shogun Inferno and Sumo monitor/recorders.

Join Matt Allard from Newsshooter to hear all about the new Cforce Mini RF Motor from ARRI. The ARRI Cforce Mini RF motor for wireless focus, iris and zoom control integrates its own MDR-like capability directly inside the motor itself.

NAB 2018 is officially underway! Before the start of the show yesterday, the guys from Newsshooter, Matt Allard and Erik Naso, stopped by to discuss what they are most excited to see at this year’s show.

Join Matt from Newsshooter as he gets the low-down from Sony Senior Sales Support Engineer, Shahpour Nosrati-Fard on the brand new Sony FS5 II.

The SUMO19 (Monitor/Recorder), and SUMO19M (Monitor), represent a new form factor in the growing line of recording and monitoring solutions from ATOMOS. With the need for more accurate monitoring and recording solutions for today's digital cinema cameras (that are capable of capturing and outputting HDR imagery), the SUMO19 and SUMO19M help content producers more accurately work with their camera systems.

The new EPIC-W GEMINI 5K S35 from RED utilizes a new sensor that has dual sensitivity modes for maximum flexibility. With the dual modes, users can select Gemini's Standard Mode for normal shooting environments or take advantage of the Low Light mode for those difficult darker scenes. In the Low Light mode, the camera's native ISO switches to 3200 as compared to the Standard Mode's 800 ISO.

One of the big topics at NAB this year will no doubt be the introduction of full format cinema cameras, and lenses to accompany them. In this blog, I give a practical guide to these cameras and their many advantages.