One of Blackmagic's announcements at NAB this year aims to bring Raw recording down to pint size. Their new Pocket Cinema Camera features a tiny body that houses a 16mm-size sensor, and can easily accomodate MFT, PL, and C-mount lenses.

It's been almost two years since we introduced the line of adapters that IB/E designed exclusively for AbelCine - and at this year's NAB, we're debuting the latest versions. The line now includes the HDx2 Mark II, the HDx35 Mark II, and the newest, the PLx2, which doubles the focal length of 35mm PL-mount lenses.

We've covered a lot of different accessories for Sony's F5/F55 cameras, and at our booth we're featuring a couple of new ones from Solid Camera. The Scatter Box is a power breakout box that mounts onto the back of the camera and features multiple power outputs.

It's not just cameras that we feature at our NAB booth - we also like to feature interesting new optics, such as Schneider's newest prime lenses. For starters, the Cine-Xenar III primes are specifically designed for digital cinema and feature a choice of mounts (PL or EF), an image circle of 31.5mm, 18-blade iris, and easily interchangeable, calibrated focus scales.

We posted about the Odyssey 7 & 7Q monitor-recorders when they were first announced, and now Convergent Design has been nice enough to let us display them in our booth (#C6013) at NAB this year.

One of the most exciting debuts at this year's NAB show is that of Vision Research's newest camera, the Phantom Flex4K. As you can probably guess from the name, the camera's most notable feature is the ability to shoot up to 1000fps in 4K.