In this, the last episoide of my 4K for $10K series, I cover the Canon C300 MK II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS7M2, or as it's more commonly known, the FS7 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Canon C200. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS5M2, or as it's more commonly known, the FS5 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Blackmagic Design URSA Mini Pro 4.6K. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this the first episode of my 4K for $10K series, I cover the Panasonic AU-EVA1. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

As a Director of Photography and producer/director, there are lots digital cinema cameras to choose from. There are a number of options that meet the needs of many DPs, camera operators, media companies, and in-house production departments, are capable of UHD 4K HDR acquisition, and cost less than $10,000. In addition, many of these cameras have capabilities that go well beyond that spec. But, which camera do you choose for your next production?