AbelCine is an official reseller of the Freefly MōVI Camera System, and we offer the only Freefly certified workshop on the MōVI system.

While camera stabilization systems are not a new concept, every once in a while a system comes along that fundamentally alters the way we utilize camera movement in our work. A classic example of this would be when Garrett Brown introduced the world to the Steadicam in 1975, or with recent compact dollys innovations from Kessler Crane or MYT Works. Recently, we were introduced to a new system from Freefly Systems that opens up a new realm of possibilities for camera movement that breaks free from the established formula.

If you're reading this blog, then you're certainly familiar with the Vitec Group - chances are you own several pieces of gear from one of the many companies they represent.

I was able to stop by the Tiffen / Steadicam booth at NAB 2013, and one of the standout products was the new Steadicam Solo.

The Canon EOS 5D Mark II undoubtedly kicked off the large-sensor-in-a-small-body movement, so it's no surprise that Canon would carry this momentum forward with the EOS-1D C. While the Mark II started as a still camera that conveniently shot video, it's apparent that the 1D C was built with filmmakers in mind. As the first HDSLR with 4K and LOG recording capabilities, the 1D C introduces new possibilities for productions of any size.

Sony's new PMW-F5 and PMW-F55 cameras build upon the popular PMW-F3, and feature a Super-35mm size sensor with 2K and 4K recording options. Both the F5 and F55 are suitable for many different styles of production and can be customized with lenses and accessories to make them even more versatile solutions. Some of the existing accessories for the F3 are interchangeable with the F5 and F55, but the new form factor means some support accessories will be unique. In this article, we present the many different lenses and accessories that can be used with the cameras.

Whenever a new camera is released, accessory manufacturers scramble to make the various plates and supports we all crave to build out our kits. Every camera's shape is a little different, but in the end we always want to get the cameras to integrate in similar ways.

Kessler Crane is surely a household name to many of us in this industry and AbelCine is happy to announce that we are now an official reseller of Kessler products! What does this mean for you? Well, most importantly, you can come in to our locations in New York or Burbank and actually put your hands on the gear.

A great deal of interest was generated at NAB by the announcement of the Blackmagic Cinema Camera, a 2.5k-capable (2432x1366) camera that records directly to SSDs. Recording 2.5k content as CinemaDNGs or 1080 HD content as ProRes or DNxHD, the Cinema Camera certainly offers some unique possibilities at an affordable price point. In this article, we present the various accessories and lens options that can be used with the camera.