We’ve known it’s been coming for some time, and now ARRI’s new 4K Super 35-format camera is finally here – meet ALEXA 35. The specs are impressive – a new 4K sensor, 17 stops of dynamic range, new REVEAL color science, and much more.

Recently I was joined by Michael Best, ARRI Product Manager of Professional Camera Accessories, to take a closer look at ARRI's new Hi-5 wireless follow focus system.

One of the main benefits of using ARRI's Electronic Control System on set is that it frees the Camera Assistant from various tasks that may have meant lots of record keeping and reports – the ECS system records vital information directly into each file recorded by an ARRI camera.

Join designerDP Ash Innovator as he discusses his experiences with Large Format filmmaking and the ARRI ALEXA Mini LF. In this video, Ash touches on lighting technique and style, his creative inspiration and influences, surreality and hyperreality in cinematography, the advantages of lighting for dark skin tones with Large Format, and more.

In this video, I give an in-depth look at ARRI's Electronic Control System, including video transmission, camera and lens control, and other wireless solutions. I discuss technical best practices, interconnectivity, and advanced integrations.

In this video, we share some footage captured in the new recording formats found in ARRI's latest ALEXA Mini LF Software Update Package 7.0.1. This SUP includes four new Super35 recording formats and two new Large Format recording formats, plus feature enhancements to the overall user experience.

In this in-depth interview, AbelCine Director of Education Jeff Lee sits down – virtually – with director Greg Robbins and DP Chris Fanning of RDM to talk about their work in the world of virtual production.

ARRI has released SUP 7.0 for their popular ALEXA Mini LF camera system. The update includes some long-awaited features, with new dedicated Super35 recording modes that match those found on the original ALEXA Mini. In most cases, these new modes can achieve higher maximum frame rates than the original ALEXA Mini. There are new LF (Large Format) recording modes, an expanded list of framelines and anamorphic squeeze factors, and a number of other enhancements as well.

AbelCine's ARRI Applications series continues with a look at the mixed reality workflow of RDM. Discover how this studio utilizes the ARRI ALEXA Mini LF, Signature Primes, and SRH-360 stabilized remote head, all riding atop the Motion Impossible AGITO robotic dolly, on a cutting-edge virtual production stage.