RED has just released their latest DSMC2 digital cinema camera, DRAGON-X. Featuring a 5K, 3-perf Super35-sized cut (25.6mm x 13.5mm) of their popular DRAGON sensor, DRAGON-X looks to complement the current DSMC2 camera lineup while providing versatility, performance, and value.

In this, the last episoide of my 4K for $10K series, I cover the Canon C300 MK II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

The Apollo is the latest offering from INOVATIV’s line of equipment carts. Recently, I was able to take one for a test drive. With tool-less assembly, the Apollo can be built from the ground up in mere minutes.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS7M2, or as it's more commonly known, the FS7 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

DSMC2, the latest generation of RED’s camera BRAIN, is not only powerful, but the entire system is extremely versatile. These bodies can house three different sensors: MONSTRO 8K VV, HELIUM 8K, and GEMINI 5K S35. A wide range of modules and accessories expand the possibilities even further. We asked three of our Technical Specialists to describe their ideal RED DSMC2 package. Here’s a look at what’s in Nic’s RED kit.

In this episode of my 4K for $10K series, I cover the Canon C200. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

In this episode of my 4K for $10K series, I cover the Sony PXW-FS5M2, or as it's more commonly known, the FS5 II. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.

RED's line of digital cinema cameras features several different sensors, each offering unique features and capabilities to the filmmaker. In this video, I discuss how the GEMINI can be the right choice for many different types of production.

In this episode of my 4K for $10K series, I cover the Blackmagic Design URSA Mini Pro 4.6K. I focus on the camera's core features, both hardware and software, and where I see it fitting into Small to No Crew production environments.