The Canon C700 FF and C200 cameras have similar sensors and produce a similar image, but the C700 is a full frame, studio style camera, while the C200 is much more geared for a one or two person crew. I tested out the cameras by shooting the same scene, which you can watch below, with both cameras to compare their ease-of-use, image quality, shooting speed, and convenience.

Since their introduction in 2018, ZEISS full format Supreme Primes have been a hit with filmmakers. Now, they have announced a new variant, with a look that is a bit of a departure from what we've come to expect from ZEISS. Enter the Supreme Prime Radiance.

Recently, I had the opportunity to take an in-depth look at the Canon Sumire Primes. I tested the 24mm T1.5, 35mm T1.5, and 50mm T1.3.

Tom Cubby from Sony dropped by the office to give us a first look at Sony’s brand new full format camera: the PXW-FX9. Join Tom and I as we dive into the philosophy, specs, capabilities, and exciting new features of this compelling addition to the ever-expanding full format video/cinema camera landscape.

I recently had the chance to get a hands-on look at a pre-production prototype of Canon's brand new camera, the Cinema EOS C500 Mark II. Join me and Canon USA Account Manager Jesse Mineo as we go through the features, specs, and concept of the successor to Canon's original high-end cinema camera, the C500. And be sure to stay tuned for lots more on this exciting, new full format offering from Canon. 

Recently I had the opportunity to take a first look at the brand new Fujinon Premista 28-100mm T2.9 zoom lens. One of the few full frame zoom lenses, this lens will also have a sister lens released by the end of 2019, the Premista 80-250mm T2.9-3.5.

I got the chance to stop by Fujinon’s booth at NAB 2019 and spoke with Tom Fletcher about Fujinon’s brand new line of full format cinema zoom lenses, called Premista. The first two lenses in this series are a 28-100 T2.9 and a 80-250mm, which is a constant T2.9 from 80-200mm and then gradually ramps up to a T3.5 from 201-250mm.

Canon announced their new Sumire Cinema Prime lenses today. This new set of full format PL-mount lenses builds on their popular Cinema Primes, which are exclusively in EF mount.

Recently, AbelCine’s Matt Livingston came up with a stunning way to show off the new Angenieux Optimo Ultra 12x FF/VV, a night flight over Manhattan.