Fujifilm's Optical Devices Division today announced their latest entry into the 35PL lens market, the Fujinon 19-90 T2.9 Cabrio zoom lens. The name Cabrio is a reference to small convertible sports cars, aka Cabriolets. The lens is both physically compact, at less than nine inches in length, and a feather-weight, at less than six pounds, making it the longest focal range handheld lens available. But the Cabrio allusion also extends to the included removable handgrip/zoom rocker servo.

Last year in our booth at NAB, AbelCine showed a prototype of the new Canon CN-E 14.5-60 T2.6 Cinema Zoom lens. We were very impressed at the time, and in recent private testing, were even more pleased. Now that the release version is shipping, AbelCine's optical technicians have put this new PL-mount zoom through a battery of evaluations, and we are very excited by the results.

Canon's much anticipated EOS C300 is a modular Super-35 sized sensor camera available in both PL and EOS (EF) mount. The modular nature and size of the C300 means the camera can live in many configurations - from the fully decked out studio camera to a light-weight run-&-gun setup.

It's been another exciting year in our industry, with lots of evolutionary and revolutionary changes. Many of the trends we've seen coming for the past several years came to fruition in 2011, leaving some to wonder what comes next. Let's take a look back and see if it can help inform us a bit on what's to come in 2012.

We are always looking for ways to accessorize cameras so they are even more functional for our clients. Our latest design for the F3 is a ProVFM Viewfinder Mount Kit that enables the use of a professional electronic HD viewfinder with the camera.

ARRI has released their Anamorphic De-squeeze download license for purchase. This eagerly anticipated license for the ALEXA will correct the "squeeze" effect that occurs when shooting with anamorphic lenses. With the license installed, ALEXA and ALEXA Plus cameras with the Software Update Packet (SUP) 4.0 can now readily accept anamorphic lenses with 1.3x or 2x magnification.

The ARRI ALEXA has become so popular that many clients are asking to use it in ways outside of the traditional Digital Cinema market. Documentary and ENG-style productions, long the playground of 2/3" cameras, are now beginning to use the ALEXA. With this demand, AbelCine has worked to adapt the camera to the style of "One Man Band," everything-on-the-camera shooting.

Sony's new NEX-FS100 camera is a Compact HD camcorder that shares the same Super-35 sized sensor and image characteristics as the PMW-F3. Because of it's relative diminutiveness, the FS100 is suitable for many situations where larger cameras may not be. In this article, we present the many different lenses and accessories that can be used with the camera.

In 1975, Stanley Kubrick famously lit scenes in Barry Lyndon only by candlelight. To do it, he had to use triple-wicked candles for a bright flame, push the only filmstock at the time to 250 ISO and acquire a super-fast T0.7 Zeiss designed for NASA (he had an old Mitchell camera chopped up just to work with this lens). This allowed Kubrick to shoot under a keylight of just three footcandles.