The two Canon Compact Cine Zoom lenses, 15.5mm-47mm and 30mm-105mm, offer high performance with great flexibility. They each cover an extended range in a small, lightweight package. Both lenses focus very closely and do not distort the image throughout their range. Even with fast T2.8 apertures, they offer high resolving power with excellent contrast.

AbelCine has developed our line of Resolution Analysis Charts to allow for accurate, repeatable measurements for any cameras and lenses that resolve 2K, 4K and higher. We have compiled this FAQ to help users get the most out of the charts.

Last year at Cine Gear, Mitch got a peek at Hedén's new HLC System - an inexpensive, single-channel, Bluetooth wireless lens controller.

A cinematographer and lighting designer by trade, Rick Siegel has worked on feature length and short films in the narrative and documentary genres. He photographs episodic television series as well -- in music, comedy, fashion, home style, reality and magazine formats. In this blog, he tells us all about his Sony PMW-F3 rig.

At NAB this year Fuji is showing off their entire line of Cabrio lenses - the 19-90, the 85-300, and the brand new 14-28 T2.9.

There are definitely some unique filtration needs that arise from using today's large-sensor cameras. I stopped by Tiffen's NAB booth and talked with Sandie Stern about their new filter offerings, such as their IRND Polarizers.

I stopped by the Arri booth once again, this time to talk with Thorsten Meywald, Product Manager Lenses, about their new line of Master Anamorphic lenses.

I stopped by the Element Technica booth to take a look at their new lens control system and motors. Like any wireless FIZ, the Element system consists of a wireless transmitter and receiver, but Element has thrown in a few unique features that really make this standout.

This year at NAB, Angenieux debuted its first anamorphic lens - the Optimo Anamorphic 56-152mm 2S Zoom.