Last year at Cine Gear, Mitch got a peek at Hedén's new HLC System - an inexpensive, single-channel, Bluetooth wireless lens controller.

A cinematographer and lighting designer by trade, Rick Siegel has worked on feature length and short films in the narrative and documentary genres. He photographs episodic television series as well -- in music, comedy, fashion, home style, reality and magazine formats. In this blog, he tells us all about his Sony PMW-F3 rig.

At NAB this year Fuji is showing off their entire line of Cabrio lenses - the 19-90, the 85-300, and the brand new 14-28 T2.9.

There are definitely some unique filtration needs that arise from using today's large-sensor cameras. I stopped by Tiffen's NAB booth and talked with Sandie Stern about their new filter offerings, such as their IRND Polarizers.

I stopped by the Arri booth once again, this time to talk with Thorsten Meywald, Product Manager Lenses, about their new line of Master Anamorphic lenses.

I stopped by the Element Technica booth to take a look at their new lens control system and motors. Like any wireless FIZ, the Element system consists of a wireless transmitter and receiver, but Element has thrown in a few unique features that really make this standout.

This year at NAB, Angenieux debuted its first anamorphic lens - the Optimo Anamorphic 56-152mm 2S Zoom.

Back in August of last year, Zeiss announced the newest member of its compact zoom line, the CZ.2 28-80 T2.9.

It's been almost two years since we introduced the line of adapters that IB/E designed exclusively for AbelCine - and at this year's NAB, we're debuting the latest versions. The line now includes the HDx2 Mark II, the HDx35 Mark II, and the newest, the PLx2, which doubles the focal length of 35mm PL-mount lenses.