In this video, I go over the full lineup of DSMC2 cameras from RED: MONSTRO 8K, HELIUM 8K, GEMINI 5K, and DRAGON 5K. I talk about the features they have in common as well what differentiates each model. Check out the video for all the info, including which camera you might want to use for particular kinds of projects.

Today ARRI announced a brand new camera in their popular ALEXA lineup. The ALEXA Mini LF is the companion camera to the full-bodied ALEXA LF. This LF (large format) ALEXA Mini has the same 36 x 25mm 4.4K sensor as the ALEXA LF, but now in a much smaller form factor. The new camera has the same basic footprint as the ALEXA Mini, but with some significant differences.

DSMC2, the latest generation of RED’s camera BRAIN, is not only powerful, but the entire system is extremely versatile. These bodies can house four different sensors: MONSTRO 8K VV, HELIUM 8K, and GEMINI 5K S35, and the new 5K DRAGON-X. A wide range of modules and accessories expand the possibilities even further. We asked three of our Technical Specialists to describe their ideal RED DSMC2 package. Nic couldn't stop at just one kit, however. So, here's a look at what’s in his "Adrenaline" RED kit.

Our popular comparison chart of Phantom high-speed cameras by Vision Research now includes the Ultra-High-Speed v2640 Onyx specialty, rent-only camera. The Phantom v2640 Onyx boasts the world’s fastest 2K sensor, with the lowest noise and highest dynamic range of any global shutter Phantom camera. It is capable of capturing up to 12,500 fps at 1080p. The Onyx has been optimized for cinema production, making it the ideal choice for projects where extreme slow motion and high image quality are required, such as VFX, commercial, and tabletop applications.

Westcott have not only updated their Flex LED mats but also their entire Flex Cine lighting system. This includes bi-color and RGBW solutions along with a new universal, wireless DMX dimmer controller and a huge variety of lighting control options. 

In this video, I look at the differences between the two major ways to shoot a script in filmmaking: shooting with one camera at a time, or shooting multiple cameras simultaneously. I take a look at the different factors involved, including how best to balance the advantages and disadvantages of each method in order to get the most from your scenes.

The Sony Z280 is a great camcorder for single-to-small-crew shooters who are being asked to create 4K content. In this blog, I touch on some of the key features of the camcorder and shoot some test footage.

In this video, I set out to experiment with different ways of moving the camera in order to see how each compare in a single scene. We shot a scene with a dancer in four different ways: on a tripod, on a slider, handheld, and on a gimbal (the MōVI Pro). What I discovered was that the different methods give very different effects and there's a place for them all, as long as you understand the relative strengths and weaknesses of each.

The Canon CN-E 18-80mm T4.4 Servo Zoom is lightweight and versatile, making it a great choice when you're shooting in ENG mode. In this blog, I go through the steps you'll take in order to set back focus on this lens.