The SXT has a Swiss Army knife of recording options, giving you many ProRes and raw formats, and a wide variety of frame sizes to support anamorphic and aspherical acquisition. All of these can be recorded to the new Codex SXR capture drives, which give the highest frame rate options. Other recording options include CFast 2.0, SxS, or the ALEXA XT's Codex capture drive with an adapter.
The camera now has the same powerful look management features found in the AMIRA and ALEXA Mini. It takes this concept further with four independently addressable outputs and remote color grading options via Pomfort LiveGrade or other applications. Any color adjustments performed on set can be saved as metadata to the camera clips. These can be easily applied directly from the clips in most NLEs and color grading applications. The SXT also has some image processing improvements and noise reduction options, and with the ALEXA 65 hardware inside, there are many possibilities for future improvements via firmware updates. Check out the video above to learn more.
