These charts from Canon and Fujinon explain what the letters and numbers in their broadcast lens model numbers mean. They are a useful reference for understanding and comparing features.
Canon’s CN-E Compact Zooms have been a great addition to documentary cinematography since their release five years ago. The image quality is superb and is a great choice for higher-end productions. They offer a comfortable size and weight, with a fast, consistent T2.8 aperture. This pair of lenses offers a great focal length range that will cover you in most shooting situations. Let’s take a deep dive into the look and feel of these two lenses.
Fujinon released the Cabrio Compact lens series back in 2012 as a lightweight option to their impressive Premier line of cinema lenses. The Cabrio line includes the 14-35mm, 19-90mm, 20-120mm, 25-300mm and 85-300mm. Despite being smaller and lighter, they are still members of the elite “Premier” series of Fujinon lenses, offering exceptional optical performance across the board. Let’s take a closer look at the Fujinon Cabrio 19-90.
Fujinon recently released the native Sony E-mount MK 18-55mm cinema zoom as an “ultra-compact, and 2 lb, 2 oz lightweight design lens that meets the needs of Super35 and APS-C sensor cameras.” The lens features “outstanding optical performance and low distortion with T2.9 speed across the entire zoom range, as well as fully manual lens rings for focus, zoom, and iris.”