The camera has many of the same features as the 35, including a sensor with 14+ stops of dynamic range, and unique Dual ISO mode. The recording options are also similar, featuring recording in AVC-Ultra up to 4K, and in Apple ProRes formats for HD. The camera also has all of the remote color management options found in the 35, including the ability to remotely load and create LUTs in camera.
What I especially like about the camera is just how well it is built. The layout and build quality make it perfect for a wide variety of shooting scenarios. Check out my video above to learn more about the camera and how to get it set up and ready for production.