RED KOMODO 6K​ Digital Cinema Camera (RF Mount)

The RED KOMODO 6K Digital Cinema Camera - Canon RF Mount features RED's exceptional image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor.

The KOMODO's 19.9MP Super 35mm CMOS sensor measures 30.56mm (diagonally) and features 16+ stops of dynamic range, capturing 6144 (h) x 3240 (v) effective pixels. The camera records to RED Pro CFast and qualified CFast 2.0 media at up to 280 MB/s.

The KOMODO features a Canon RF-Style Mount, and includes a mechanical RF to EF Mount adapter. Full electronic communication with Canon EF lenses is supported via compatlbe "smart" RF mount adapters (sold separately).

Integrated dual channel digital stereo microphones capture uncompressed, 24-bit, 48 kHz sound, and an external microphone can also be connected via a 3.5mm audio input port.

The KOMODO utilizes WiFi for camera control via an interchangeable antenna (SMA connection). Genlock, Timecode (input), GPIO and Control (RS232) are available via an integrated 9-pin EXT port.

The compact camera body is constructed from lightweight aluminum alloy, weighing just 2.1 lb (without port cap and recording media). Two slots accept Canon BP-9 series batteries for easy hotswapping. The camera accepts 7-17V DC power via an integrated LEMO 2-pin DC-IN port.

KOMODO features an integrated (top) 2.9" touchscreen monitor with 720p preview and camera control. Monitor output features integrated 12G-SDI with 6G-SDI and 3G-SDI modes (up to 4096 x 2160/60p, 4:2:2, via 12G-SDI).

Features:

• 6K resolution
• 19.9MP S35 sensor (27.03mm x 14.26mm; 30.56mm diagonal)
• Effective Pixels: 6144 x 3240
• Global shutter with comparable dynamic range to DSMC2/RANGER
• Full sensor 6K 40 fps, 6K WS @50 fps, 4K @60 fps, 2K @120fps
• R3D files (REDCODE RAW codec)
• Integrated RF-style lens mount to be adapted to EF or PL (does not currently support RF lenses)
• Recording media: qualified CFast 2.0 memory cards
• Physical Dimensions: 4" x 4" x 4"
• Weight: approx. 2.1 lb (with antenna)
• 4K SDI Out (12G-SDI)
• Top LCD touchscreen
• WiFi Connectivity for control and wireless monitoring via RED CONTROL Application
• Phase Detection Autofocus (PDAF)

Specifications:

Recording:

• REDCODE RAW Max Frame Rates:
  • 40 fps at 6K 17:9 (6144 x 3240)
  • 50 fps at 5K 2.4:1 (5120 x 2700)
  • 48 fps at 5K 17:9 (5120 x 2700)
  • 60 fps at 4K 17:9 (4096 x 2160)
  • 120 fps at 2K 17:9 (2048 x 1080)
• Best Available REDCODE Settings:
  • REDCODE HQ, MQ, and LQ at 6K 17:9 (6144 x 3240) up to 40 fps
  • REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps
  • REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps
• REDCODE RAW Acquisition Formats:
  • 6K 17:9 (6144 x 3240) 2:4:1 and 16:9
  • 5K 17:9 (5120 x 2700)
  • 4K 17:9 (4096 x 2160)
  • 2K 17:9 (2048 x 1080)
• Apple ProRes:
  • 4K (4096 x 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps
  • 2K (2048 x 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps

Monitor Outputs:

• Integrated 12G-SDI with 6G-SDI and 3G-SDI modes
  • 12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
  • 6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
  • 3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
  • 1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
  • SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Options

• Integrated 2.9" 1440 x 1440 touchscreen LCD with preview and camera control

Color Management

• Image Processing Pipeline (IPP2)
• Supports 33x33x33 3D LUTs
• Supports import of CDLs