Sony PXW-FX9 XDCAM Full-Frame Camera System with SELP28135G 28-135mm f/4 Zoom - E Mount

This kit includes the following items:

The Sony PXW-FX9 XDCAM Full-Frame Camera System captures beautiful 4K HDR imagery from oversampling a 6K Full-frame Exmor R sensor with 15+ stop dynamic range and Dual Base ISO. The PXW-FX9 also features the world's first full-frame Electronic Variable ND filter, and Fast Hybrid AF that will track your subject with unprecedented speed and accuracy.

4K Capture with Oversampled 6K Full-Frame Exmor R Sensor

The camera's full-frame 6K sensor provides superb recording in DCI 4K¹, Ultra HD and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15+ Stops Dynamic Range

FX9 offers an exceptional 15+ stops of dynamic range (beyond the normal range of human perception) allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.² In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.

Dual Base ISO

FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses. Combining Dual Base ISO with the camera's electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.

World's First Electronic Variable ND Filter for a Full-Frame Sensor

Realize even greater creative control with Sony's unique built-in electronic variable neutral density (ND) filter, a world first for professional full-frame camcorders. Set to Auto or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.

XAVC 422 10bit Recording on XQD Media Cards

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10bit quality at a highest 600Mbps in 60p. XAVC-Long for more longer recording time in smaller file size. Also, the traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

Selectable Frame Rates in both Full-Frame & Super 35

Choose your desired frame-rate from 1fps up to 180fps⁴ for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow- motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting⁵ that maximizes full HD slow motion image quality with advanced oversampling technology.

Cinematic Color Science "Out of the Box" with S-Cinetone

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich mid-range colors, alluring facial tones and a softer tonal look, developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high performance full-frame image sensor.

Fast & Accurate "Fast Hybrid AF" with Face Detection & Custom Settings

Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Developed by Sony's α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.

The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast- moving subjects. FX9's comprehensive autofocus settings provide the creative flexibility to integrate with any project.

• 7-level AF transition speeds from Fast, switching between subjects as quickly as possible, to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama
• 5-level AF subject shift sensitivity ranges from Locked-on, ignoring other moving subjects in the frame, to Responsive that switches focus from one subject to another (ideal for snapping between race cars as they speed by)

Image Stabilization Correction Using Camera Metadata

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software⁶ in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, meta data generated by FX9's built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows¹.

16bit RAW Output¹

16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9's exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders².

4-Channel Audio Input & Recording

FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter (with two extra XLR inputs) allows even more devices to be connected.

Variety of Outputs

FX9 is equipped with various outputs including a 12G-SDI and a HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multi-camera operation, GENLOCK and TC In/Out terminals are available.

Compatible with New XDCA-FX9 Extension Unit

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit (sold separately) that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver³.

Selection of Back-up Rec Modes & Cache Rec for Additional Safety

FX9 has a selection of back-up recording modes which will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9Mbps small size Proxy file which will be easily sent via network. Also, a maximum 28 second Cache Rec is also available to prevent missing any shot.

Multi-Interface (MI) Shoe

Sony's flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).

Features:

• 4K capture with oversampled 6K Full-frame Exmor R sensor
• 15+ stops dynamic range
• Dual Base ISO of 800/4000
• World's first electronic variable ND filter for full-frame sensor
• XAVC 422 10bit recording on XQD media cards
• Selectable frame rates in both full-frame & Super 35
• Cinematic color science out of the box with S-Cinetone
• Fast & accurate "Fast Hybrid AF" with Face Detection and custom settings
• Image stabilization correction using camera meta data
• 16bit RAW output (with optional external recorder)
• 4-channel audio input and recording
• Variety of outputs, including 12G-SDI/3G-SDI, HDMI and TC in/out, GENLOCK
• Compatible with the new XDCA-FX9 extension unit (sold separately)
• Selection of Back-up Rec modes and Cache Rec for additional safety
• Multi-Interface (MI) Shoe

¹ RAW output will be enabled with a future firmware release. Initial v1.0 will support 10-bit recording during 120fps high frame rate shooting within Super35 image circle.

² Compatible recorders TBD.

³ Wireless audio receiver capability will require a firmware update.

⁴ Up to 120fps with Ver 1.0; Full-HD 180fps will be supported with future firmware.

⁵ In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps.

⁶ Catalyst Browse/Catalyst Prepare Ver.2019.2 is required.

Specifications:

• Recording Format (Video):
  • [XAVC Intra]
    • XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
    • XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
    • XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
    • XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
    • XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
    • XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
    • XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
    • XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
    • XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
    • XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
  • [XAVC Long]
    • XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
    • XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
    • XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
    • XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
    • XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
  • [MPEG-2 Long GOP]
    • MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
• Recording Format (Audio):
  • LPCM 24 bits, 48 kHz, 4 channels
• Recording Frame Rate:
  • [XAVC Intra]
    • XAVC-I QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    • XAVC-I HD mode:1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
  • [XAVC Long]
    • XAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    • XAVC-L HD 50 mode:1920 x 1080, 1280x720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    • XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    • XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
  • [MPEG-2 Long GOP]
    • MPEG HD422 mode:1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi
• Recording/Playback Time:
  • [XAVC Intra]
    • XAVC-I QFHD 59.94p
      
      • When using QD-G128A (128 GB): Approx. 22 minutes
      • When using QD-G64A (64 GB): Approx. 10 minutes
    • XAVC-I QFHD 50p
      
      • When using QD-G128A (128 GB): Approx. 26 minutes
      • When using QD-G64A (64 GB): Approx. 13 minutes
    • XAVC-I QFHD 29.97p
      
      • When using QD-G128A (128 GB): Approx. 43 minutes
      • When using QD-G64A (64 GB): Approx. 21 Minutes
    • XAVC-I QFHD 25p
      
      • When using QD-G128A (128 GB): Approx. 52 minutes
      • When using QD-G64A (64 GB): Approx. 25 Minutes
    • XAVC-I QFHD 23.98p
      
      • When using QD-G128A (128 GB): Approx. 54 minutes
      • When using QD-G64A (64 GB): Approx. 26 Minutes
    • XAVC-I HD 59.94p
      
      • When using QD-G128A (128 GB): Approx. 57 minutes
      • When using QD-G64A (64 GB): Approx. 28 Minutes
    • XAVC-I HD 50p
      
      • When using QD-G128A (128 GB): Approx. 57 minutes
      • When using QD-G64A (64 GB): Approx. 27 Minutes
    • XAVC-I HD 59.94i/29.97p
      
      • When using QD-G128A (128 GB): Approx. 105 minutes
      • When using QD-G64A (64 GB): Approx. 53 Minutes
    • XAVC-I HD 50i/25p
      
      • When using QD-G128A (128 GB): Approx. 105 minutes
      • When using QD-G64A (64 GB): Approx. 53 Minutes
    • XAVC-I HD 23.98p
      
      • When using QD-G128A (128 GB): Approx. 130 minutes
      • When using QD-G64A (64 GB): Approx. 65 Minutes
  • [XAVC Long]
    • XAVC-L QFHD 29.97p/25p/23.98p
      • When using QD-G128A (128 GB): Approx. 125 minutes
      • When using QD-G64A (64 GB): Approx. 62 Minutes
    • XAVC-L QFHD 59.94p/50p
      
      • When using QD-G128A (128 GB): Approx. 86 minutes
      • When using QD-G64A (64 GB): Approx. 42 Minutes
    • XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
      
      • When using QD-G128A (128 GB): Approx. 225 minutes
      • When using QD-G64A (64 GB): Approx. 110 Minutes
    • XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
      • When using QD-G128A (128 GB): Approx. 305 minutes
      • When using QD-G64A (64 GB): Approx. 150 Minutes
    • XAVC-L HD 25 59.94i/50i
      
      • When using QD-G128A (128 GB): Approx. 410 minutes
      • When using QD-G64A (64 GB): Approx. 200 Minutes
  • [MPEG-2 Long GOP]
    • "MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
      
      • When using QD-G128A (128 GB): Approx. 220 minutes
      • When using QD-G64A (64 GB): Approx. 105 Minutes
• Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels
• Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
  • 1920x1080, 9Mbps
  • 1280x720, 9Mbps
  • 1280x720, 6Mbps
  • 640x360, 6Mbps
• Slow and Quick Motion Function
  • FF 6K mode: XAVC-I/L
    
    • 3840 x 2160, 1920 x 1080
    • 1 to 30 frames (29.97/25/23.98)
  • S35 4K mode: XAVC-I/L
    
    • 3840 x 2160, 1920 x 1080
    • 1 to 60 frames (59.94p, 50p, 29.97/25/23.98)
  • FF 2K, S35 2K mode: XAVC-I/L
    
    • 1920 x 1080
    • 1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)

Firmware V2.0 Update (September 2020):

• Added recording format selection options
  
  • An FFcrop 5K option has been added to Rec Format >Imager Scan Mode in the Project menu.
  • When Imager Scan Mode is set to FF 6K, FFcrop 5K, or S35 4K, Video Format can now be set to 4096.2160.
  • A “24” option has been added to Rec Format >Frequency in the Project menu.
  • NOTE: Video Format setting of 4096.2160 is supported only when Imager Scan Mode is set to FF 6K, FFcrop 5K, or S35 4K.
• User 3D LUT support
  
  • A CUBE file (*.cube) for a 17-point or 33-point 3D LUT created using RAW Viewer or DaVinci Resolve (by Blackmagic Design Pty. Ltd.) can now be loaded.
• RAW output support
  
  • RAW video signal can be output from the RAW OUT connector of an XDCA-FX9 (option) attached to the camcorder.
• High Dynamic Range (HDR) support
  
  • Hybrid Log Gamma (HLG) is supported to enable shooting with expanded dynamic range.
  • The two following types of HLG are available:
    • Natural: Characteristic conforming to ITU-R BT.2100(HLG).
    • Live: Characteristic conforming to ITU-R BT.2100(HLG) that delivers improved HDR performance.
    • NOTE: When HDR is selected, the color space is expanded to ITU-R BT.2020 equivalent.
• Added frame rate options for Slow & Quick Motion
  
  • 150fps and 180fps options have been added for the frame rate when Rec Format >Imager Scan Mode in the Project menu is set to FF 2K.
• Expansion of ISO/Gain configurable range
  
  • The configurable range for ISO and Gain when Base Setting >Shooting Mode in the Project menu is set to SDR or HDR has been expanded.
    
    • When the gain setting mode is set to ISO, values up to the maximum ISO 102400 can be configured.
    • When the gain setting mode is set to dB, values up to 27dB can be configured.
• AF function improvements
  
  • Focusing is now supported not just for face detection but also using detection of people’s eyes.
  • When Focus Area is set to Flexible Spot or Zone, the focus area frame can now be moved using touch operation.
  • AF transition speed and AF subject shift sensitivity can now be assigned to assignable buttons.
  • In Cine EI mode, face/eye detection AF performance has been improved for when Gamma is set to S-Log3.
• Support for changing settings from the status screen
  
  • Some settings can be modified from the status screen. Items can be selected using the multi-function dial, multi selector, or by touch operation.
• 6G-SDI output support
  
  • 4K/QFHD resolution signals can now be output from the SDI OUT connectors when the system frequency is set to 29.97, 25, 24, or 23.98.
• Audio function improvements
  
  • A wireless microphone can be used by inserting a portable wireless tuner in the wireless receiver insertion slot of an XDCAFX9 (option) attached to the camcorder.
  • The following two models of portable wireless tuners are supported:
    • URX‑S03D UHF Synthesized Diversity Tuner
    • DWR-S02DN Digital Wireless Receiver
  • The digital interface of an XLR-K3M XLR Adaptor Kit attached to the multi-interface shoe of the camcorder is supported.
• USB tethering support
  
  • A smartphone can now be connected via a USB cable to an XDCA-FX9 (option) attached to the camcorder, allowing the camcorder to connect to the internet using the smartphone.
• Iris T value support
  
  • The iris indicator now displays T values when a lens that supports T value display is attached.
• Password security enhancements
  
  • Passwords used for basic authentication now must be 8 characters or longer and contain at least one alphabetic character and one numeric character, respectively, for enhanced security.
• Image quality improvements in S35 2K imager scan mode
  
  • The image quality has been improved for when Rec Format >Imager Scan Mode in the Project menu is set to S35 2K.

The Sony SELP28135G 28-135mm f/4.0 PZ G OSS E-Mount Zoom Lens reduces focus breathing and zoom image shift to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time in an E-Mount lens. Also features integrated Optical SteadyShot image stabilization.

Features:

• Constant F4 maximum aperture throughout zoom range
• Powered zoom
• Dust and moisture-resistant design

Specifications:

• Mount: Sony E-mount
• Format: 35mm full frame
• Focal Length: 1-1/8" to 5-5/16"
• 35mm Equivalent Focal Length (APS-C): 1-5/8" - 8"
• Lens Groups/Elements: 12/18
• Angel of View (35mm): 75°-18°
• Angle of View (APS-C): 54°-12°
• Max. Aperture: f4
• Min. Aperture: f22
• Aperture Blades: 9
• Circular Aperture: Yes
• Min. Focus Distance:
  • 1.31' (Wide) - 3.12' (Tele) (AF/MF) / 3.12' (Full MF)
  • 0.4m (Wide) - 0.95m (Tele) (AF/MF) / 0.95m (Full MF)
• Max. Magnification Ratio: 0.15x
• Filter Diameter: 95mm
• Image Stabilization: Optical SteadyShot
• Zoom System: Power zoom / Manual zoom
• Dimensions (Diameter x Length): 4" x 6-1/2" (105mm x 162.5mm)
• Weight: 2.68 lb (1215 g), without tripod mount

NOTE: "35mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with an interchangeable lens digital camera incorporating APS-C type image sensors.