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ARRI / ZEISS Master Anamorphic Set w/ Flare Kits (28,35,40,50,60,75,100,135) - (USED)

ARRI
Abel Code: AR-MA-SET-USED
Mfr. Code: AR-MA-SET-USED
In Stock
Available In Store | NY
Description
The ARRI / ZEISS Master Anamorphic Lenses offer a unique optical performance, with optimized flare and bokeh as well as state-of-the-art lens barrels featuring improved dust and water protection.
Key Highlights
  • 2x Anamorphic Squeeze
  • Cinematic Oval Bohek
  • Low Distortion
$252,910.00
Sale: $185,995.00
Wishlist
Overview

Overview

This Used Set of Master Anamorphic Lenses with Flare Kits is in good condition. Lenses have minor cosmetic damages, but do not affect image quality or function of lenses. All lenses and flare kits have been inspected and have had regular maintenance by ZEISS certified service technicians.

The ARRI / ZEISS Master Anamorphic Lenses have been jointly developed by ARRI and ZEISS. The anamorphic lenses offer a unique optical performance, with optimized flare and bokeh as well as state-of-the-art lens barrels featuring improved dust and water protection.

The Master Anamorphic Lenses open up new creative opportunities, making shots possible that would have been considered impossible before. The important and distinguishing visual facet of anamorphic images, the appearance of out-of-focus background elements or bokeh, will be created by the newly developed iris with 15 aperture blades, creating perfectly oval and evenly illuminated out-of-focus highlights. This ensures a pleasing bokeh that filmmakers will enjoy manipulating creatively.

 
Features:
  • Color matched to other ARRI / ZEISS primes and ARRI / Fujinon zoom lenses
  • Optimized Anamorphic bokeh: evenly illuminated oval out-of-focus highlights, newly developed iris with 15 aperture blades
  • Pleasant out-of-focus areas with traditional Anamorphic look and a unique image language
  • New optical technology results in:
    • Virtually no image breathing
    • No Anamorphic mumps (fat face effect)
  • The first Anamorphic lenses to be designed for modern digital cameras, while also compatible with analog film cameras
  • Completely new focusing mechanism overcomes time-consuming mechanical readjustments on set
  • Near telecentric optical design, which reduces color fringing and shading at the image corners
  • ARRI Lens Data System (LDS) for lens metadata

 

The ARRI Master Anamorphic Flare Sets  are highly versatile and economical accessories for the ARRI/ZEISS Master Anamorphic lenses. Each of the eight Master Anamorphic focal lengths has its own specific flare set, comprising easily replaceable front and rear glass elements that can be used individually or in combination to provide the lens with three additional looks for enriched on-set creativity.

The front and rear glass elements that come with each flare set have a special lens coating that encourages flaring, ghosting and veiling glare. These image effects create a visual style that is consistent across all of the flare sets and can be controlled or tweaked via the iris setting, as well as the positioning of lighting fixtures. The front element can be used on its own, as can the rear, or they can be used in combination; each permutation provides a distinct look without sacrificing the resolution, lack of distortion or corner-to-corner optical performance for which the Master Anamorphics are famous.

Features:

  • Each focal length can now deliver four distinct looks
  • Economical way of offering greater on-set creativity
  • Distortion-free optical performance retained
  • Flare elements can be exchanged in minutes

 
 Specifications: 

Master AnamorphicAperture RangeClose Focus1Length2Front diameterWeightAOV3
       

MA 28 mm

T1.9 to T22

2'3"

7.2"

114 mm

5.5 lbs

78.2°

MA 35 mm

T1.9 to T22

2'6"

7.2"

95 mm

5.7 lbs

65.5°

MA 40 mm

T1.9 to T22

2'4"

7.2"

95 mm

6.0 lbs

58.7°

MA 50 mm

T1.9 to T22

2'6"

7.2"

95 mm

5.7 lbs

48.5°

MA 60 mm

T1.9 to T22

3'

7.2"

95 mm

6.0 lbs

41.1°

MA 75 mm

T1.9 to T22

3'

7.2"

95 mm

5.7 lbs

33.4°

MA 100 mm

T1.9 to T22

3'1"

8.3"

95 mm

6.8 lbs

25.4°

MA 135 mm

T1.9 to T22

3'11"

9.1"

95 mm

8.2 lbs

18.9°

Remarks:
1) Close focus distance is measured from the image plane
2) Front to PL mount flange
3) Horizontal angle of view for a Super 35 Cinemascope camera (dimensions 22.5mm x 18.7 mm / 0.89“ x 0.74“)

 

What's in the Box

  • ARRI / ZEISS Master Anamorphic 28mm
  • ARRI / ZEISS Master Anamorphic 35mm
  • ARRI / ZEISS Master Anamorphic 40mm
  • ARRI / ZEISS Master Anamorphic 50mm
  • ARRI / ZEISS Master Anamorphic 60mm
  • ARRI / ZEISS Master Anamorphic 75mm
  • ARRI / ZEISS Master Anamorphic 100mm
  • ARRI / ZEISS Master Anamorphic 135mm
  • ARRI Master Anamorphic Flare Set MA28
  • ARRI Master Anamorphic Flare Set MA35
  • ARRI Master Anamorphic Flare Set MA40
  • ARRI Master Anamorphic Flare Set MA50
  • ARRI Master Anamorphic Flare Set MA60
  • ARRI Master Anamorphic Flare Set MA75
  • ARRI Master Anamorphic Flare Set MA100
  • ARRI Master Anamorphic Flare Set MA135
Specifications

Specifications

Key Highlights

  • 2x Anamorphic Squeeze
  • Cinematic Oval Bohek
  • Low Distortion
  • High Contrast
  • Integrated LDS
There are no specifications for this product
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