Canon C200B Camera with Accessory Kit & 17-120mm CINE-SERVO Zoom - EF Mount

This kit includes the following items:

• Canon EOS C200B Cinema Camera with Accessory Kit - EF Mount
  • Canon EOS C200B Cinema Camera
  • LM-V1 4" LCD Monitor for Canon C200 & C300 Mk II
  • LA-V1 LCD Attachment Unit for EOS C200
  • HDU-2 Handle Unit for EOS C200/C200B
  • GR-V1 Camera Grip for EOS C200
  • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
  • Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
  • Compact Power Adapter
  • Shoulder Strap
  • UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20")
  • Eyecup
  • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Mic Holder Unit
  • Tape Measure Hook
  • Thumb Rest
  • Body Cap
• Canon 17-120mm CINE-SERVO T2.95 Zoom Lens - EF Mount

The Canon EOS C200B Cinema Camera with Accessory Kit - EF Mount includes:

• Canon EOS C200B Cinema Camera
• LM-V1 4" LCD Monitor for Canon C200 & C300 Mk II
• LA-V1 LCD Attachment Unit for EOS C200
• HDU-2 Handle Unit for EOS C200/C200B
• GR-V1 Camera Grip for EOS C200
• CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
• Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
• Compact Power Adapter
• Shoulder Strap
• UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20")
• Eyecup
• BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
• Mic Holder Unit
• Tape Measure Hook
• Thumb Rest
• Body Cap   

Canon EOS C200B Cinema Camera

The Canon EOS C200B Cinema Camera (body only) can record internal 4K RAW to a CFast™ 2.0 card in Canon's new Cinema RAW Light format without compromising detail, as well as 4K UHD and Full HD in MP4 format to SD cards. Its small form factor suits gimbals, aerial devices, or shooting in tight spaces.

The 8.85 Megapixel Super 35mm CMOS sensor, 13 stops of dynamic range, Dual Pixel CMOS AF, full compatibility with Canon EF-mount lenses, and HDR capability help make the EOS C200 ideal for film, documentary and television production, corporate and event videography, and newsgathering. The camera's multitude of features deliver outstanding image quality, performance and versatility.

If you are interested in accessories included with the Canon EOS C200 there is an option which includes a built-in OLED EVF, an on-board LCD monitor, handle, and ergonomic handgrip.

8.85 Megapixel Super 35mm CMOS Sensor

The EOS C200 Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full HD 1080/60p recording.

Each pixel in this CMOS imaging sensor also maintains a wide pixel pitch that maximizes the amount of light that falls on to each photo site. This enhances the EOS C200 camera’s sensitivity while also minimizing noise and supporting ISO speeds of up to 102,400 for extreme low-light imaging. This sensor also reduces data-readout time which results in reduced rolling-shutter artifacts.

Lens Compatibility

A major aspect of the creative filmmaking potential of the EOS C200 Digital Cinema Camera is its compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon’s 4K CN-E Cinema prime and zoom lenses, including the ENG-style Canon CINE-SERVO and COMPACT-SERVO zooms. Improved EF lens communication capabilities of the EOS C200 camera provide:

• Display of CN-E Cinema lens T-values
• Compatibility with Dual-Pixel CMOS AF
• Lens metadata acquisition
• Chromatic aberration correction
• Iris Values

You can switch the camera display to show iris values between the F-stop and T-value. This helps those shooting on movie sets who prefer to know how much light is passing through the opening of the lens and reaching the sensor. T-values are the traditional measure of light reaching the sensor in video production, while F-stop is the measure of light in still photography. The ability to see the F-stop helps those transitioning from still to video shooting.

Dual DiG!C DV 6 Image Processors

The EOS C200 Digital Cinema Camera features Canon’s newly developed dual DiG!C DV 6 image processors, which powerfully process high-resolution image data.

The two on-board DiG!C DV 6 image processors allow for the recoding of 1,800 horizontal TV lines in 4K. The DiG!C 6 is Canon’s sixth-generation Image processor that uses proprietary technology, allowing you to achieve high performance and creative freedom when acquiring images.

Over Sampling HD Processing

The EOS C200 features Over Sampling HD Processing*, a high-image-quality signal processing system to satisfy a broad spectrum of video production needs by effectively utilizing the abundant powers of 4K image expression in 2K (2048 x 1080) / Full HD (1920 x 1080) recording. During the Over Sampling HD Processing, pixels interpolated and 4K RGB data is generated together to produce 2K/HD data generated using non-additive resizing.

* NOTE: Over Sampling HD Processing is not available with Cinema RAW Light recording or 120p/100p.

Extended Sensitivity

The EOS C200 supports an ISO range of between 160 and 25,600. The range expands to between 100 to 102,400 when Extended Sensitivity is set on the camera. This range of ISO settings provide you with more creative freedom. Low ISO values allow you to use large iris settings and shallow depth of field, even in scenes of bright light. The higher ISO values provide you with more flexibility in dimly lit situations.

Dual Pixel CMOS AF Technology

The EOS C200 Digital Cinema Camera features Canon’s Dual Pixel CMOS AF (DAF) Technology. DAF is a breakthrough AF technology that uses the CMOS sensor.

Each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. This is a major advantage during single operator shooting.

During AF, the two photodiodes of each pixel can independently bring in light. During imaging, the image signals are output using the two photodiodes that function as a single pixel.

Continuous Autofocus & Face Detection

The EOS C200 has one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. Face Detection AF is another autofocus mode that can track a person's face in the frame and maintain focus on them. To further fine tune autofocus performance, the EOS C200 offers the ability to set the AF tracking speed and response. The EOS C200 offers AF and face detection with all Canon EF lenses, except manual focus lenses.

Dual Pixel CMOS AF with Touch Focus

Achieve faster focus with the included Touch Screen LCD Monitor (LM-V1), a new accessory with touchscreen support. Tapping the area of the frame quickly brings the image into focus. This ability to choose the subject for focusing with the tap of the screen helps to make focusing intuitive.

Dual Pixel Focus Guide

The camera's Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus assist information on the screen. The innovative user interface applies Dual Pixel CMOS AF technology to provide the user focus feedback. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy.

The Dual Pixel Focus Guide presents the user with a rectangle in which to focus the subject. The rectangle turns green when the subject is in focus. If the subject is out of focus the box will turn gray and the arrows will indicate which way to adjust the lens to regain focus.

The camera also features a focus pre-set feature. Separate predetermined focus points can be selected. Then, when the SET button is pushed, the lens will move focus from one mark to the other. This is especially useful when focusing in scenes with multiple subjects.

AF Tuning

A newly developed menu function has been added for Auto-Focus tuning, allowing easy access to camera and lens settings. The AF Speed Tuning function allows users to set the lens drive speed to any of 10 steps. AF subject tracking characteristics can also be varied and set to any of 7 steps. These options allow you to select the appropriate responsiveness when changes have occurred with your subject.

Internal 4K RAW Recording with New Cinema RAW Light

The EOS C200 Digital Cinema Camera features Canon's newly developed Cinema RAW Light, a 4K RAW recording file format offering a smaller file size compared to Canon’s standard RAW** files, while maintaining the same high resolution, high color reproducibility, and wide dynamic range data to provide greater freedom in grading and compositing.

** NOTE: Standard RAW is found on the EOS C500/EOS C300 Mark II/EOS C700 Camera RAW

You can record DCI 4K 60p/50p with Cinema RAW Light to general-purpose media such as the CFast 2.0 card and a MP4 SD Card on the camera. Cinema RAW Light files are about 1/3 to 1/5 the size of Canon’s standard RAW files. The smaller file size and reduced bit rate speed up data transfer and allow internal recording to CFast™ cards.

The reduced file size also helps users extend storage capacity and transfer files on a network more easily. The high bit depth of Cinema RAW Light (10bit/12bit***) maximizes retention of color and dynamic range information, which is especially critical in HDR production.

*** NOTE: 12bit for 4K/30p and under, 10bit for 4K/60p and 50p. Each bit is efficiency optimized in consideration of visual properties.

Cinema RAW Light files can be transcoded to other commonly used file formats, such as DPX or ProRes for later editing and online delivery using Canon's CRD software.

Simultaneous Recording

DCI 4K video (4096x2160) in Cinema RAW Light can be recorded to a CFast™ 2.0 card while recording a 2K sub-recording video (2048x1080) in H.264 Long GOP UCbCr 4.2.0 to an SD card. The smaller file size of the 2K sub-recording file allows for easier editing.

Internal 4K UHD and Full HD Recording in MP4

The EOS C200 Digital Cinema Camera offers 4K UHD and Full HD recording in MP4 format, up to 60fps. The compact size of the MP4 codec allows the EOS C200 to capture images directly to low cost SD cards.

Double Slot Recording

Mirror recording of 4K UHD/Full HD MP4 image files to the camera's two SD slots is possible, saving time and effort of having to make copies of the data after recording.

Full HD 120p/100p Slow Motion Recording Support

The EOS C200 Digital Cinema Camera supports high-speed recording in Full HD at 120p/100p fps to enable additional creative freedom for slow motion replays and other special effects. It’s capable of a maximum 120fps, realizing even greater emotion in visual expression.

Professional Workflow

The EOS C200 Digital Cinema Camera offers a variety of professional workflows. The camera’s new Cinema RAW Light format provides professional shooters with the widest dynamic range and highest color fidelity for post production work. Using Canon's CRD software and Canon RAW Light codec with up to 15 stops of dynamic range is achievable.

MP4 recording is also possible on the camera for situations such as newsgathering, where capturing the image and speed through post are priority.

The EOS C200 supports both ACES 1.0 and HDR imaging through support for emerging HDR standards. Canon is working closely with 3rd party developers to help ensure maximum compatibility for these new formats with NLE and grading systems.

Canon Log 1 & Canon Log 3

The EOS C200 supports both Canon Log and Canon Log 3 Gamma. Canon Log is designed to reproduce, in post production, the entire tonal range of the CMOS image sensor. Log workflow provides the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading.

Canon Log 3 is ideal for professional end users seeking the most out of their camera system. Canon Log 3 provides the most versatility for post production, when recording in camera.

When using Canon RAW Light and Canon's RAW development software it is possible to additionally use Canon Log 2, which allows for a total of 15 stops of dynamic range out of the camera. Using this method requires additional post production time over other options yet provides the highest quality and flexibility for post.

Wide DR Gamma

The EOS C200 provides the Canon Wide Dynamic Range Gamma function that allows users to get many of the benefits of Canon Log Gamma while maintaining an 18% gray point similar to Rec. 709. By using this setting, users can maintain the full dynamic range of the sensor without the need for extensive post processing. Use of Wide DR Gamma can greatly reduce post production time, while maintaining very high image quality.

Canon Cinema RAW Development 2.0

Canon has developed a mature workflow for the EOS C200, Cinema RAW Development 2.0, which supports the new Cinema RAW Light format and is provided as a free download. In addition to new development process support, it also brings features from the previous release including support HDR monitoring, Canon Log Gammas, ACES 1.0 and more.

Canon RAW Plugin for Avid Media Access

Canon RAW Plugin 2.0 for Avid® Media Access is provided as a free download, which allows users to directly import Canon Cinema RAW data into an Avid Media Composer® system. This helps streamline the workflow, while enabling stress-free real-time playback and reducing file ingest wait time.

HDR Viewing

The EOS C200 Digital Cinema Camera supports HDR recording in the ITU-R BT.2100 standard (PQ). HDR on-set monitoring is possible using HDR compatible reference displays, including all of Canon’s 4K UHD Reference Displays. The Electronic Viewfinder can be used with a new View Assist feature, providing a reference view that’s close to the PQ standard. Using this View Assist feature, the displayed dynamic range can be selected for 400% or 1600%, and linear display as well. This allows operators to shoot HDR footage while getting a preview of the finished product.

ACES 1.0 Support (except for 0.7)

The EOS C200 Digital Cinema Camera supports the Academy Color Encoding System (ACES 1.0). Using Canon supplied IDTs, images captured on the EOS C200 can be imported directly into the ACES compatible systems. In addition, video output from the camera can be monitored by selecting the ACESproxy.

ACESproxy allows the camera to send a monitor output that simulates ACES space to a compatible monitor or device. Modifications made using proxy output can be saved and later brought into the editing or grading suite to help insure changes and color choices made on set are accurately reproduced in post.

ACES image display is supported in Canon’s full line of 4K UHD Reference Displays.

Connectivity Options

The EOS C200 Digital Cinema Camera offers a wide range of terminals that are useful in a variety of production shooting and display situations.

• 2x XLR Input
• Headphone Jack
• Ethernet Port
• DC IN
• SDI up to HD (1920x1080)
• USB
• Remote Port
• HDMI OUT up to UHD (3840x2160)
• In-Camera ND Filter

The EOS C200 Digital Cinema Camera features in-camera ND filters to help save production time and help increase shooting versatility without the need to change filters. The internal ND filters are selected with the ND FILTER + and - buttons on the left side of the camera.

The camera uses an internal, motorized ND assembly consisting of two rotating disks with glass ND filters between the rear of the lens and the front of the sensor. This combination of ND filters allows 5 steps of neutral density. In normal mode 2, 4 and 6 stops are available. In extended mode, 8 and 10 stops are also available. Neutral density filters allow the operator more control of exposure in bright scenes, especially where shallow depth of field is desired.

RC-V100 Remote Control Support

Camera settings can be accessed and controlled from a distance using Canon’s RC-V100 Remote Controller. The RC-V100 plugs into the EOS C200 through the remote terminal on the rear panel. This optional accessory allows image quality adjustments and camera operations to be set from a distance.

Focusing, aperture and zooming operations can also be performed remotely using the Link-up feature with Canon CINE-SERVO lenses.

Updated Browser Remote Functions, Including Focus Support

Some applications require the camera to be located a distance away from the operator, such as on a crane or jib. The ability to perform remote operation of camera functions in these situations can be critical. Multiple camera operations can be performed on the EOS C200 from a connected device (such as a PC, tablet or smartphone) by accessing the Browser Remote with a general-purpose browser.

A wide range of auto focus functions can also be controlled using the Browser Remote, including the ability to move the focus area with just a touch when using a compatible tablet or smartphone.

Manual focus can also be controlled from the Browser Remote, helping to ensure accurate focus from remote locations where manual focusing is not possible.

A live feed from the camera can be displayed simultaneously from multiple connected devices accessing the Browser Remote. One device can be used to check focus, while the client or director can monitor the live action from another compatible device.

Optional Accessories

The optional GPS Receiver GP-E2 is compatible with the EOS C200 and can be connected to the camera using a USB cable, providing location and time information that is recorded during shooting. The GPS Data helps support editing work and adds more useful information for archiving purposes.

Canon 4" LM-V1 LCD Monitor

The Canon LM-V1 LCD Monitor is a fully adjustable and detachable 4" display for the Canon C200 & C300 Mk II digital cinema cameras. This 1.23 million dot, touch capacitive monitor features Canon's exclusive AF technologies for easy monitoring and one-finger "tap-focusing" during shooting.

Canon HDU-2 Handle Unit

This handle unit can be attached to the camera body without tools, and features a newly-formed handle screw that enables fast and easy attachment. The unit can also be used to mount a variety of optional peripherals.

Canon LA-V1 LCD Attachment Unit

The 3-hingle attachment for the optional LM-V1 LCD Monitor allows flexible rotation of the display during shooting. 

Canon GR-V1 Camera Grip

The Canon GR-V1 Camera Grip is designed for use with the Canon EOS C200. This grip attaches to the camera via an ARRI-style rosette, enabling the user to adjust its angle for optimal comfort. The grip features a user-assignable function button, record run/stop button, dial, and control joystick. A short LANC (2.5mm) cable connects the grip to the camera. A hand strap is also included.

The Canon 17-120mm CINE-SERVO T2.95 Zoom Lens provides cinematographers with a compact, lightweight design using Canon optical elements. This zoom lens can accommodate many 4K cameras because of its high optical resolution and large image circle coverage for Super35mm format cameras. The lens also features a 7x zoom magnification, focal length range of 17mm to 120mm, and a 180º smooth-rotating focus ring. Its 11-blade aperture diaphragm allows for a beautiful bokeh effect.

The servo unit allows broadcasters, documentaries and all image-makers the ability to control zoom, focus and iris/aperture in a very convenient and intuitive way. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon’s standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers (controllers sold separately). The drive unit can be easily removed for cinema-style shoots and can be easily re-attached in the field without any manual re-alignment. 16-bit metadata output enables connection to virtual studio systems.

Features:

• Support for Standard Broadcast Lens Controllers (such as the 25D-3090 and FPC-400D)
• Outstanding Servo Performance
• High-speed zoom end iris
• Wide-ranging drive speeds
• Immediate system initialization (high-performance encoder so that the lens requires no initialization; system can be started immediately)
• Support for Virtual Image Data Output
• 3 x 20-pin connectors and a high-performance encoder which can output 16-bit precision virtual image signals
• Servo behavior equivalent to broadcast portable lenses for all focus, zoom, and iris controls
• Focus ring provided with knurled rubber for superior operability, which allows the equivalent manual operation feel as broadcast portable lenses
• When the drive unit is detached from the lens, the lens can be used as a full manual, cinema style zoom lens
• Lens can be used with standard accessories in the cinema industry, such as a mattebox, follow focus gear systems, and electronically operated controllers
• Focus ring is equipped with 0.8mm and 0.5mm gear modules
• Zoom ring is equipped with a 0.5mm gear module, for standard accessories in the cinema industry (iris ring is equipped with a 0.4mm gear module)
• Compatible with 15mm and/or 19mm diameter rod systems
• Lens is equipped with a support holder for cinema lens support rods that can be used with 15mm and 19mm diameter rod systems; extension shaft (included) required for 19mm diameter rod systems
• Compliant with wide-ranging communication standards and with a Lens-to-Camera Communication Function for added convenience
• Compatible with Cooke's /i technology, which enables transmission of focus, zoom, and iris position data as well as the lens model name so that the camera and editing equipment can display and store the lens information