Total Acoustic Control
Throughout Yamaha's extensive history of digital mixer development, the consistent principle has been the pursuit of a natural, transparent sound as the optimal starting point for sound creation, epitomized by the DM7 series' high-end input section crafting a high-fidelity, uncolored sound. This pristine canvas allows engineers to shape and color their sound using built-in plug-ins, EQ, and dynamics. Moreover, the DM7 series has evolved comprehensively to support engineers in achieving their sonic ideals, with meticulous attention to sound quality in the input section, support for sample rates up to 96kHz, advanced channel strip functionalities including expanded dynamics control and parallel compression, integration of the Dan Dugan automatic mixer, and a wide array of plug-ins and effects to cater to diverse audio production needs.
Enhanced Operability
Yamaha's digital mixers, renowned for meeting the demands of professional users, continually evolve to match industry standards. The M7CL delivers analog-like operability, while the CL series refines this with Centralogic enhancements, and the DM7 series prioritizes intuitive operation and efficiency through multiple displays and the innovative Selected Channel View. Its advanced graphical user interface streamlines functionality, offering touch operation for instant access. From the full-featured DM7-EX to the compact DM7 Compact, the DM7 series offers versatile configurations to suit diverse workflows. With multiple touch screens including a large 12-inch display and a newly added 7-inch Utility screen, mixing becomes more streamlined, providing essential information at your fingertips for seamless operation and enhanced sound creation.
Meticulous Design
Yamaha, with over 130 years of instrument manufacturing experience, prioritizes not just sound quality and playability, but also aesthetics that complement the audio engineers. In the DM7 series, consoles are designed for ease of operation in challenging situations while maintaining sleek attractiveness. The strip lights' integration into the fader surfaces creates a unified layout, preventing light leakage and accidental contact. Consistency in user experience is ensured through standardized interface elements across Yamaha mixers, enhancing efficiency for engineers working under tight timeframes and varying environments. Compact and lightweight construction further facilitates easy setup and transport, with careful design considerations to maintain operability and visibility, including rack-mounting options for space-saving solutions at live venues.
Specifications:
| DM7 Compact |
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Outline |
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Mixing Capacity | Input Channels | 72 mono |
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Mix Buses | 48 |
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Matrices | 12 (Input to Matrix supported) |
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Stereo Buses | 2 |
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Mono Buses | 1 (Stereo B can be changed) |
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Cue Buses | 2 |
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General specifications |
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I/O Connectors | Analog Input | 16 |
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Analog Output | 16 |
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Dante | Primary / Secondary |
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AES/EBU Input | 0 |
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AES/EBU Output | 1 (2ch) |
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Expansion Slot (PY Slot) | 1 |
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Word Clock I/O | In / Out |
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MIDI | No (MIDI protocol supported on USB to HOST) |
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GPI | 5 in / 5 out |
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USB TO DEVICE | 2 (File Save / Load, 2 Track Rec / Play) |
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USB TO HOST | 1 (USB Type-C, USB2.0) |
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Ethernet | Yes |
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Meter Bridge | On screen |
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Lamp | 0 (Bulit-in LED Strip Light) |
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Video Out | No |
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TC In | Yes |
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Phones | 1 |
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AC | 2 (V-Lock Type) |
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External Redundant Power Supply | Built-in dual power supply |
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Scene Memory | Number of Scenes | 500 |
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Recall Safe | Yes |
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Focus Recall | Yes |
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Fade Time | Yes |
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Preview | Yes: Future Update |
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Selective Load / Save | Yes |
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Global Paste | Yes |
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Event List | No |
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Overlay | No |
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Isolate | No |
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Tactile Control Keys | No |
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Input Channel Functions | Input A/B | Yes |
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Gain Compensation | Yes |
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Digital Gain | Yes (-96 dB to +24 dB) |
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Attenuator | Yes (-96 dB to +24 dB) |
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HPF | 20 Hz to 2,000 Hz, -6/-12/-18/-24 dB/oct Selectable |
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PEQ | 4 Band Full PEQ (4 algorithms, RTA overlay supported) |
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LPF | 20 Hz to 20 kHz, -6/-12 dB/oct |
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Dynamics 1 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser |
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Dynamics 2 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp |
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Input Delay | Yes (0 ms to 1,000 ms) |
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Pan | Center Nominal / LR Nominal |
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DCA Group | 24 (Output DCA supported) |
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DCA Rollout | Yes |
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MUTE Group | 12 |
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Number of Inserts | 4 slots on 1 insert point |
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Dan Dugan Automixer | Yes (Up to 64ch) |
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Direct Out | Yes |
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Output Channel Functions | PEQ | 8 Band Full PEQ |
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GEQ | Virtual Rack (EQ Rack) |
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Dynamics 1 | Legacy Comp / Comp260 / Expander / Gate / Ducking / De-Esser / FET Limiter / Diode Bridge Comp |
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Output Channel Delay | Yes (0 ms to 1,000 ms) |
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MUTE Group | 12 |
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Number of Inserts | 4 slots on 1 insert point |
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Premium Rack | Number of DSP Resources | 64 |
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Mountable Plug-ins | RND Portico5033 / RND Portico5043 / Portico 5045 / U76 / Opt-2A / Comp276 / Buss Comp 369 / MBC4 / DaNSe / EQ-1A / Equalizer601 / Dynamic EQ / Dynamic EQ4 / REV-X / OpenDeck / Analog Delay / Max100 / Vintage Phaser / Dual Phaser / HQ.Pitch |
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Effect Rack | Number of DSP Resources | 16 |
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Number of Effect Types | 43 |
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EQ Rack | Number of DSP Resources | 32 |
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Mountable Devices | 31BandGEQ / Flex15GEQ / 8Band PEQ (RTA overlay supported) |
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Dante | Number of I/O Channels | 144 in / 144 out |
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Number of I/O devices that can be discovered from the console | 127 *1 |
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Number of I/O devices that can be mounted | 24 |
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Number of I/O devices with HA remote control | 24 |
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Dante Patch from Console | Yes |
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USB to Host | Number of Audio I/O Channels | 18 in / 18 out |
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USB MIDI | Yes |
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Monitor | Solo Mode | Yes |
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Oscillator | Sine Wave 1ch / Sine Wave 2ch / Pink Noise / Burst Noise |
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Other Functions | Port to Port | Yes |
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Timecode Reader/Display | Yes |
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Timecode Chase | No |
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GPI | Yes (5 in / 5 out) |
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MIDI | Yes (USB MIDI) |
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OSC Server | Yes |
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DAW Remote | Yes |
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Nuendo Live: Control Integration | Yes |
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Virtual Soundcheck | Yes |
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Wireless Mic Monitoring | Yes |
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RTA | Yes |
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Delay Compensation | Yes |
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Output Port Delay | Yes(Up to 20 ports)*Future Update |
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Sub In | Yes |
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User Levels | Yes |
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Channel Link | Yes |
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Temporary Channel Link | Yes *Future Update |
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Multi Language Channel Names | Yes |
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Mix/Matrix to Input | Yes |
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Split Mode | Yes |
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Assist | Yes (HA / Naming / Fader) |
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User Interface | Displays | 12.1” multi-touch x 1, 7” multi-touch x 1 |
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Faders | 12 + 4 |
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Channel / Screen Encoders | Yes |
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Channel Name / Color Displays | No (on-screen) |
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Custom Fader Banks | Yes |
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Shift Keys | Yes |
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User Defined Keys | Surface: 6 (6 keys x 4 banks), Utility Screen (On-screen): 12 (12 keys x 4 banks) |
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User Defined Knobs | Yes (by 4 encoders below the Utility screen) |
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Touch and Turn Knobs | Yes |
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Monitor Level Knobs | No |
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Arm Rest | Yes |
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Rack Mountable | Yes |
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Software | Editor | DM7 Editor (Win/Mac) |
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StageMix | DM7 StageMix |
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MonitorMix | Yes |
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Console File Converter | Yes |
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ProVisionaire Control/Touch | Yes |
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Software Package | Broadcast Package, Theatre Package |
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Dimensions | W | 468 mm (18.5") |
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H | 324 mm (12.8") *including the rubber feet |
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D | 564 mm (22.2") |
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Net weight | 16.5 kg (36.4 lb) |
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Included Accessories | Owner’s Manual, AC power cords, Dust cover, Cable hook (for USB TO HOST), Nuendo Live, VST Rack Elements |
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Accessories | RK-1 |
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